FAQs
Questions fréquentes sur le clocher de Collioure
Collioure Clocher Poster: a travel poster that places the Collioure bell tower at the centre, a maritime landmark and a Catalan silhouette. The bell tower of Notre-Dame-des-Anges is probably the only church bell tower in France built directly on the sea. It has officially served as a lighthouse since the 17th century, though unofficially for much longer. It is the first thing people look for when they arrive in Collioure, and the image that stays with them when they leave. A simple, luminous silhouette that captures the whole village in a single line.
This poster is the most minimalist piece in the Collioure collection: a single subject, tightly framed, with only sky and sea as its setting. It works beautifully in spaces where you do not want to say too much: a hallway, corridor or office. In A3 (11.7 x 16.5 in) or B2 (19.7 x 27.8 in), in a slim frame, it has the elegance of an engraving. In B1 (27.8 x 39.4 in), it becomes a statement piece.
It is the choice for those who want to keep something essential from Collioure. Not the full panorama, just the one detail that makes it unmistakably this place and nowhere else. It also makes a thoughtful gift for someone to whom Collioure means something, without needing any explanation.
Hand-drawn by Marie Troff in her studio in Saint-Genis-des-Fontaines, 20 minutes from Collioure. Printed in France by an Imprim'Vert-certified printer in Elne, on 170 gsm matte coated art paper. Delivered rolled in a recycled cardboard tube, unframed. Limited edition of 200 copies, signed ©Foliove.
• PRINTED IN OCCITANIA
• LIMITED EDITION
• ORIGINAL DRAWING BY MARIE TROFF
Foliove is my daily work. I create each illustration by hand, from my studio nestled in the Pyrénées-Orientales. Wacom, stylus, patience. No digital shortcuts, no images found anywhere other than in my souvenir photos, no effects applied with a click. Each line is consciously drawn, starting from a blank screen.
Printing is done nearby, at an Imprim'Vert certified printer in Elne. This is no accident: I can check the colors in person, adjust if necessary, and discuss directly with the team. They prioritize solvent-free inks and certified paper. It's a relationship, not just an order.
My subjects are born from my travels. A shade of the sky, a detail of a facade, a season frozen in an instant. I transpose them into a drawing once I return, often much later. It's my way of preserving these moments and offering them to those, like you, who look at them.
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